Photos and travelogue from the Windy City
Chicago. There is something so appealing about that word, how the letters curve on the page and how they roll in your mouth when you say the word out loud. Chicago. It's almost as if the Art Deco skyline can materialize if you just say the word. - A long form vignette love travelogue with pictures.
I was basically a zombie wandering the streets of Charleston the days between Christmas and New Year's. The charms of Charleston - the food, the night life, and the views - were lost to me. The best meals mean nothing if you can only eat soup. The fanciest cocktails mean nothing if your stomach is already sour. The prettiest buildings look dull if you're tired and aching and running a fever. Even so, I've got a few photos from the trip up on the blog!
We rushed early to St. Paul's in London one morning so we could explore the cathedral and climb the dome before the large crowds hit. Even so, I had no patience with the early bird tourists giggling with glee at the whispering gallery or shrieking in panic at the tight spiral staircase to the top of the dome, so I wrote poem stanzas on the climb to distract myself from any irritation.
Stone and marble may be durable, but even these hard surfaces cannot survive what we human beings as a species can survive: time and the touch of millions of hands and lips, touching, revering, eroding, forgetting. Funeral slabs are worn completely smooth, memorials are cracked and decaying, and some are even defaced in damnatio memoriae. We build, but still it is only temporary. Eventually hands and feet rub and erase, and we are only left to puzzle over fragments and faulty stories.
The London Eye is incredibly touristy in all the worst ways: shoulder-to-shoulder crowds, crying babies, a line out the door to restrooms, heat, overpriced bottles of Coke, and carnival attractions like street magicians and a carousel and exhibits like "Shrek's Big Adventure!" and "The London Dungeon (it's a SCREAM!)" and a very cramped aquarium.
The castle loomed large in the train window even from a distance. Sitting on a hill nestled by its quaint town it was an imposing place. A castle! A real life royalty-and-feudalism sort of castle with a bloody medieval history and a deep well under a rusty grate and a garderobe and coats of arms and rough-hewn stone and at least nine Van Dycks, all portraits of the castle’s noble family members. A castle with its own medieval chapel and an armory room with a Medici table and Queen Victoria’s coronation homage chair and a Casali and at least three Gainsboroughs and an execution order signed by Queen Elizabeth I for Thomas Howard, the 4th Duke of Norfolk.